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Wednesday, May 20, 2020 | History

8 edition of Inwardness and theater in the English Renaissance found in the catalog.

Inwardness and theater in the English Renaissance

by Katharine Eisaman Maus

  • 200 Want to read
  • 34 Currently reading

Published by University of Chicago Press in Chicago .
Written in English

    Places:
  • England,
  • England.
    • Subjects:
    • Shakespeare, William, 1564-1616 -- Philosophy.,
    • English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism.,
    • English drama -- 17th century -- History and criticism.,
    • Theater -- England -- History -- 16th century.,
    • Theater -- England -- History -- 17th century.,
    • Appearance (Philosophy) in literature.,
    • Mind and body in literature.,
    • Intentionality (Philosophy),
    • Reality in literature.,
    • Renaissance -- England.,
    • Truth in literature.

    • Edition Notes

      Includes bibliographical references and index.

      StatementKatharine Eisaman Maus.
      Classifications
      LC ClassificationsPR658.P48 M38 1995
      The Physical Object
      Pagination222 p. ;
      Number of Pages222
      ID Numbers
      Open LibraryOL1116972M
      ISBN 100226511235, 0226511243
      LC Control Number94043099

      Maus, Inwardness and Theater in the English Renaissance () Norbrook, Poetry and Politics in the English Renaissance, rev. ed. () Orgel, Impersonations () Paster, The Body Embarrassed () Rebhorn, The Emperor of Men's Minds () Sawday, The Body Emblazoned () Schoenfeldt, Bodies and Selves in Early Modern England (). The Discarded Image: An Introduction to Medieval and Renaissance Literature (Cambridge, ) Marotti, Arthur. Manuscript, Print, and the English Renaissance Lyric (Cornell, ) Maus, Katherine Eisaman. Inwardness and theater in the English Renaissance (Chicago, ) Miola, Robert. Shakespeare’s Rome (Cambridge, ).

      Katharine Eisaman Maus, selection from Inwardness and Theater in The English Renaissance (ERes, 3pp) Report on Nona Fienberg, “Mary Wroth and the Invention of Female Poetic Subjectivity” (ERes, 16pp) Wed. 2/ Sexual difference and cross-dressing Readings: Pages –11 of Norton introduction to The Sixteenth Century, – (ERes). She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth 4/5(K).

      She received the Roland Bainton Book Prize for Inwardness and Theater in the English Renaissance. She is also the author of Ben Jonson and the Roman Frame of Mind ; editor of a volume of Renaissance revenge tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of.   She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth /5(25).


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Inwardness and theater in the English Renaissance by Katharine Eisaman Maus Download PDF EPUB FB2

The book Inwardness and Theater in the English Renaissance, Katharine Eisaman Maus is published by University of Chicago Press. Inwardness and Theater in the English Renaissance, Maus All Chicago e-books are on sale at 30% off with the code EBOOK Introduction: inwardness and spectatorship --Machiavels and family men --Heretical conscience and theatrical rhetoric: the case of Christopher Marlowe --Proof and consequences: Othello and the crime of intention --Prosecution and sexual secrecy: Jonson and Shakespeare --A womb of his own: male Renaissance poets in the female body.

Katharine Eisaman Maus explores Renaissance writers' uneasy preoccupation with the inwardness and invisibility of truth. The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater, imagined dramatic characters, and reflected upon their own by: Free Online Library: Inwardness and Theater in the English Renaissance.

by "Renaissance Quarterly"; Humanities, general Literature, writing, book reviews Book reviews Books Printer Frien, articles and books. Katharine Eisaman Maus explores Renaissance writers' uneasy preoccupation with the inwardness and invisibility of truth.

The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater, imagined dramatic characters, and reflected upon their own s: 1.

Katharine Eisaman Maus explores Renaissance writers' uneasy preoccupation with the inwardness and invisibility of truth. The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater, imagined dramatic characters, and reflected upon their own : Paperback.

Find many great new & used options and get the best deals for Inwardness and Theater in the English Renaissance by Katharine Eisaman Maus (, Paperback) at the best online prices at eBay. Free shipping for many products. Inwardness and theater in the English Renaissance Item Preview remove-circle Inwardness and theater in the English Renaissance by Maus, Katharine Eisaman, Publication date Borrow this book to access EPUB and PDF files.

IN COLLECTIONS. Books to : The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England.

Popular in their own time, the 27 plays included here―by Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton, among /5(). This text explores the preoccupation of many Renaissance writers' with the inwardness and invisibility of truth.

The perceived discrepancy between a person's outward appearance and inward disposition, it argues, influenced the ways in which English Renaissance dramatists and poets conceived the theatre, imagined dramatic characters and reflected upon their own creativity.

Inwardness and Theater in the English Renaissance by Maus, Katharine Eisaman Eisaman. University of Chicago Press, Paperback. Good. Paperback. Text contains underlining/marking. Covers show light edge wear.; % Satisfaction Guaranteed.

Ships same or next business day!. In Inwardness and Theater in the English Renaissance Professor Maus attempts to qualify this suggestion by examining many of the cases in sixteenth- and seventeenth-century English writing where something like an autonomous personal interiority is in fact alluded to or represented.

Maus does not propose to argue that these indications of. The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England.

Popular in their own time, the 27 plays included here—by Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton, Brand: Norton, W. & Company, Inc. “Idol and Gift in Volpone,” English Literary Renaissance 35 (): “Five Recent Books on Renaissance Subjectivity.” An invited review-essay on books published since Inwardness and Theater in the English Renaissance, for The Shakespeare International Yearbook 4 (): The most extensive new collection in this field published in more than three decades, English Renaissance Drama: A Norton Anthology surveys the astonishing, and astonishingly varied, dramatic works written and performed in Elizabethan and Jacobean England.

Popular in their own time, the 27 plays included here―by Christopher Marlowe, Ben Jonson, John Webster, Thomas Middleton, among /5(19). She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth.

The perceived discrepancy between a person's outward appearance and inward disposition, she argues, deeply influenced the ways English Renaissance dramatists and poets conceived of the theater Author: Eric Byville. REVIEWS nitpickings about what is overall a scholarly achievement wholly ad mirable in its scope, detail, clarity, and thoughtfulness.

Inwardness and Theater in the English Renaissance, by Katharine Eisa man Maus. Chicago and London: The University of Chicago Press, Pp. Paper $ Reviewer: Barbara J. Bono. 18 Nov - New books added for English and Drama students. See more ideas about New books, Books and Main library pins.

She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth /5(K).

She is the author of Being and Having in Shakespeare; Inwardness and Theater in the English Renaissance; and Ben Jonson and the Roman Frame of Mind; editor of a volume of Renaissance tragedies; and coeditor of English Renaissance Drama: A Norton Anthology, The Norton Anthology of English Literature, and a collection of criticism on seventeenth /5().The Renaissance saw the introduction of the indoor theater, at first in temporary makeshift structures and later in permanent independent buildings.

Italian architects studied Vitruvius and examined the remains of ancient theaters. The proscenium arch theater became the dominant model for later centuries.The most-trusted literature anthology. The Major Authors Ninth Edition provides new selections and visual and media support, plus a new, free Supplemental Ebook.

Firmly grounded by the hallmark strengths of all Norton Anthologies, and with the apparatus you trust, The Norton Anthology of English Literature sets the standard and remains an unmatched value.